Iddarammayilato - Audio Review

Movie: Iddarammayilatho (Telugu - 2013)
Producer:    Bandla Ganesh

Direction:    Poori Jagannadh

Cast:            Allu Arjun, Amala Paul, Catherine Tresa

Music:          Devi Sri Prasad

Allu arjun's first movie in 2013 is Iddarammayalato, directed by Puri Jagannadh. Both worked togather in 2007 for Desamuduru. Allu Arjun had a decent run at box office with Trivikram Srinivas made Julayi, On contrast Puri is not having a decent run with his last two movies, Cameraman Ganga to Rambabu and Devudu chesina Manushulu bit the dust not being upto the mark movies. Then the movie producer Bandla Ganesh is currently the prime producer working with all Top heros and has a latest hit with Tarak. Obviously the expectations are very high on this movie and the release of this is planned to be with maximum screens. This movie seems like underwent many changes, first with Music Director, Chakri who is thought initially was replaced by DSP. Then Tapsee Pannu was signed as second lead, then replaced by Richa Gangopadhyay and finally Catherine Tresa was finalized as second lead.

DSP-Allu Arju combination was always special. DSP scored music for 1/3 of the movies of Allu Arju and all of them pretty much worked very well. However with changing trends in music and people need to see what this combination is upto. With Bandla Ganesh and Puri Jagannadh at commanding position, we are assured that they dont demand good music as Puri's movies never had consistently great music and with Ganesh's background, he doesnt either.

The total 5 songs ( 1 remix ) sounds good, if music is good, we dont have issues, as we can keep repeating listening to same songs. However if the music is not upto the mark, we have one less song to hear and get a relief. One surprise element in this album is Apache Indian. The Goan, who once was very much popular for his one man army music and rap is almost a forgotten name. For a change DSP brought in Apache for Baba Sehgal, our prayers were answered I guess, but Apache is cool surprise. Need to see what he did in this album. I dont remember he sang any Telugu song till now in his career, which is very surprise how when our Film Industry brought every other Bollywood singer, how come they spared Apache.

Anyway 5 short songs, lets quickly see how DSP/Arjun treated us.

01 - Ganapathi Bappa Moriya

Singer(s): Sooraj Jagan

Lyric(s): Bhaskarabhatla

Starting an album with Song on Ganapathi is always treated as a good sign, but it doesn't happen this time. "Nirvignam kurume deva" was strained and stretched to the core that it is totally a big turn off. Bungee jump was heard as Bajji jump. Sooraj had struggled to sing Telugu. The "Ha Ha" in the middle of the song was way way off. Lately without fusion or sneeking in western music into, no song is made. Seems like Hero's introduction song, as this has some tips on what do with obstacles such as mountain, sea and others, basically what is Ganapathy bappa moria is all about. Totally aimed at youth and fans. Success of this song depends upon them. 

02: Run Run

Singer(s): Apache Indian, Sharmila

Lyrics: Ramajogayya Sastry

If not Baba Sehgal, its Apache, there is no difference songs all sound the same. ఎదురైనా should be pronounced as ద its ఎడురైన. In english,both are written same. This means no one were present at recording. Anyways, what else can Apache sing? Seems like the rap in between is written by Sharmila. Not sure what is this fancy of making songs with these rap song which makes no meaning other than some thing to appeal youth. As rightly said, గజి బిజీ బుర్రలోన సుడోకు puzzle ఉంటాది. Of course this is the puzzle we get when we hear such songs. There are many ways this song can be done better without getting Ayaasam ( as sounded in between the song ). Running makes one get exhausted. Sure people will feel that they need to got to run to win womans heart instead of wasting time on this song.On other hand DSP tried out different to appeal youth and mass in the name of variety all depends on how fans/youth like this song.

03 - Shankara Bharanam Tho

Singer(s): Mano, Suchith Suresh, Ranina

Lyrics: DSP
As the movie backdrop tells, the introduction is done by foreigners, and the movie story says that this is picturized on Brahmanandam. DSP scores a routine song which is presented smoothly by Mano until, DSP let the dogs out  ( kind of music ). And then mixes and matches the song left and right between Mano and Suchith&Co. This song goes up and down as the song progresses.when DSP asks "Do you want some music", we would like to reply back saying why not DSP only if you only can provide some. :)
 

04 - Top Lesi Podi

Singer(s): Sagar, Geeta Madhuri

Lyrics: Bhaskarabhatla
 

Ammayi manasulo abbayi dooresi kita kitale petteste, emaitaadi, manchi beat vastaadi, pichi paata vastaadi.. This is what the words of first line of the song. The chorus made is so different with their fake style and accent, again in the name of the youth. I hate when some one sings with fake accent. However as said in song the good beats didnt come, top lechi poledu, as end result pichi song aithe vachindi. The beats are same old DSP style, the tune is same old same old.

Then Bhaskarbhatla goes with all kinds of comparision all aimed at masses. Sagar is masked by chorus and Geeta Madhuri is different. Purely composed for Allu Arjun's dancing skills and masses, may be some corner for fans. If they enjoy this song makes the mark with them.

05 - Violin

Singer(s): David Simon, Anitha

Lyrics: Viswa, David Simon

  

Complete trade mark tune from DSP who is known for a signature tune in each movie. Glad that he didnt forget what he is capable of. Reminds Ilayaraja type tune. Having said that after the fantastic impressive violin bit rest is business is as usual.The extraa bit end of each "taa" in the name of youth is not very good to listen. Male singer lacks clarity to hear.

Vennello todu avutaa, Varsham lo Needa laaga unta, what kind of imagination it is? Will there be shadow in Rain? Does it mean there is no love existing? Prema anche choopista, means he is going to show the end of the love? Shouldnt the love be endless?  Adding some fancy words doesnt make a song. Not sure what these lyricists are about.

Keeping all these asides, this is a typical trademark song of DSP should be topping charts for a while. Depends upon the how the song goes in the movie.
 

06 - Run Run (Remix)

Singer(s): DSP, Apache Indian

Lyrics: Ramajogayya Sastry

Apache did what he is famous for during the start of the song, his rap, but then DSP with his odd sounding singing messed up the song. It sounded like he is so reckless singing this song with saritical voice, single handedly messed up the song. The beats, chorus and the rap just didnt work at all as they were really running as high paced rap song. DSP should have taken enough care for this song. Totally wasted effort.

Pick(s) of the album: Violin Bit, Run Run ( not remix )

With changing times, music department in movie making has definetely taken back seat. The priorities of film has changed for sure. Most of the film making is targetted towards youth, fans who are major factors for movie collections. So to ensure commercial success of movie, ensuring they are satisfied is a must. These target audience dont understand what a song is all about some sensible lyrics with hidden meaning/message, excellent singing, melodies or fine tunes, good instumentation/orchestration, nice voices that can be heard repeatedly and so on. All they need is some beats they can tap their feet and some catchy phrases to croon. So the movie makers who dont have enough knowledge making movies are just focusing on the target audience to make money and move on. Lyricists are accompanying in this process dancing to the tunes of these movie makers. This is such a sad state the film industry is now. Truth is always bitter.

DSP and Allu Arjun provided the lowest quality album in their combination. They might have met the expectations of youth, fans and movie requirements, but they didnt meet what they are known for, They for sure disappoint the music lovers. The only advantage that DSP has is he is miles ahead compared to other music directors, but if he starts listening to non-value add producers and directors, he will easily catch up with the rest by coming down to their level which he needs to not let it happen.

Thadakha - Audio Review

Movie:         Thadakha(Telugu - 2013)

Producer:    Bellamkonda Suresh

Direction:    Kishore Kumar Pardasani

Cast:            NagaChaitanya, Sunil, Tamanna, Andrea 

Music:          Thaman SS

 

 

Nagachaitanya's latest film directed by Konchem Ishtam Konchem Kashtam fame Kishore kumar Pardasani, stars Sunil, Tamanna and Andrea as co-starts. This film is being produced by Bellamkonda Suresh. This film is said to be remake of Tamil successful film "Vettai" directed by Lingusamy. During Greekuveerudu Audio function, Chaitanya told his fans that 2013 would be a feast with many films lined up. This should be a good start for that statement as the trailers looks fine. With Sunil lending a helping hand and director who was sensible with his earlier film, should make his statement a real.

 

Kishore Kumar proved with his earlier film that he has a very good music taste as that film had tremendously fantastic songs composed by Shankar-Ehsaan-Loy, songs written by Sirivennela were feast to listen. However this movie having Thaman is showing that the director deviated from his benchmark by providing a different music. This movie's lyrics department was handled by Bhaskarabhatla and Ramajogayya Sastry. With these two names and Thaman controlling the music, songs will have to beat and mass oriented. We cannot expect melody or classic songs. Thaman has been consistent enough to provide template music and he never deviated from his templates. Lets see how he did though we know expecting any thing from him is not something he would like neither we. Singers are again standard payroll singers except for Neeti Mohan and MM Maanasi. He offered 5 songs only, which is a good relief. Lets not wait much time and get into the details of the songs.

 

1. Nuvvu Nenu Bomma[4:05]
Singer(s): Tippu, Ranjith
Lyricist: Bhaskarabhatla Ravikumar

 

Thaman Sir, how can you be so consistent. No one ever can come close to your consistency. Seems like song on Chaitanya and Sunil. Thaman's favorite instruments are all over the place, yet there is nothing in this song that worth mention other than being reminding us different songs. బాణం not భానం again its చప్పుడు not చ్చప్పుడు. Inspite of singing more than decade, these singers can never improve. This is very disappointing. Tippu and Ranjith are seasoned singers, singing wise they shouldnt have any issues.

 

 

2. Viyyalavaru[4:40]
Singer(s):  Neeti Mohan, Sooraj, MM. Manasi
Lyricist: Ramajogayya Sastry

 

Once again standard beats from Thaman to start his song. The female singer needs to be eliminated from Telugu Industry as soon as possible. They way she broke the words is horrible to listen. Never heard a good song from RJS. I think he became full time lyricist resigning his job, He should have more time to write some meaningful lyrics but he doesnt do that. Atleast once in a while wanted to see some good song from him. Singers disappoint in this song. Thaman doesnt.

 

 

 

3. Subhanallah[3:09]
Singer(s):  Karthik, Priya Hemesh
Lyricist: Ramajogayya Sastry

 

Surprisingly a short song. One more typical template music from Thaman. Not sure why no one is getting bored of hearing same tunes again and again. Since songs are available for free to listen, people are listening. Wonder what if they are for price. I really want to know who would want to buy and listen to these songs. Karthik struggled a lot singing this song. He is not his usual self. Priya Hemesh has nothing to do in this song.

 

 

4. Mara O Mara[3:04]
Singer(s):  Suchith Suresan, MM. Manasi
Lyricist: Ramajogayya Sastry

 

Listening to this song will tell what we are going to listen the entire album. Also we dont need to guess who has written and who made this song. One more template music from Thaman and RJS Sastry. Somehow lately Thaman's songs doesnt appear like songs any more. Singers read the lines with some background music and that music never changes. I think Thaman should have Suchith in his album either suresan or suchitra. Some how this album has very short length songs. Thaman gets inspired from every where for every note he made for this song which is not unusual for him. The singers kill the words in their style. The multilingual lyricist writes whatever he wants. Not sure why the team wasted their energy in making these songs, picturize it and add cost to producer when their is nothing to offer to viewer or listener.

 

5. Gana Gana Bottu[3:54]
Singer(s):  Haricharan, Priyadarshini
Lyricist: Ramajogayya Sastry

 

This song brings lots of questions to everyone associated to this song. What they were thinking making these type of songs which doesnt bring any value to the song or singers or music director. Thaman's capabilities should be known by now. He cannot offer any different. The interludes proves that, the tune proves that. Just to add the movie title they added Thadakha or based on this song, they named the movie is unknown. Thaman is getting money for what ever he is doing so he will not stop. Its upto movie industry to uplift the music department which has stooped all time low. Haricharan and Priyadarshini doesnt offer anything to us either

 

Pick(s) of the album: Strictly for fans of anyone in this movie, rest can easily ignore this album

 

Thaman has decided to remain as one of the low quality music directors in the Telugu film history and be consistent enough in that. Let him do that as long as he is getting money for doing what ever he want. So we cannot do much about that. Telugu music has always been on high time and currently this is the lowest time it can ever see. Things cannot go any lower than this. Music lovers can only hope for the best and keep listening to the best songs that the industry has given in the past and keep ignoring these kind of albums. Everything takes some time. So be patient. Good times will come.

 

Kaalicharan - Audio Review

Movie:      Kaalicharan (Telugu - 2013)

Producer:    Sri Praveen

Direction:    Sri Praveen

Cast: Caitanyakrsna, Chandni, Pankaj kesri, Rao Ramesh

Music:         Nandan Raaj

 

Gaayam 2 fame Sri Praveen is producing and directing a film which is an action and political film  that is based on a real incident which happened in the 1980s.Without revealing the incident or the plot, the director shot that the film Mahabub Nagar, Gadwal and Kadapa. Chandini is making her debut as an actress in Telugu. Nandan Raj has composed the music and buzz is that a song composed by the music director is going to be unveiled at the event. The film is being produced by Praveen Sri himself on Sri Karunalayam Productions banner. Music director has not done many films in past. He has done two in Tamil and two in Telugu and doesnt have any noted hits. All those movies went un noticed. Since this is a period movie, not sure whether director maintained the current trend of music or he did match the music to the period film. Vanamali I guess is single card lyricist. He messed up with Maniratnam movie kadali where he did not do a great job by translating the songs. However this movie with interesting subject should provide him ample space to prove himself again. Singers are welcome change, mostly are from the singers of reality shows. So lets see how the songs went. There are seven songs, a little more than standard format. If songs are good, it matters to have an additional song, else it will be one more song to ignore. The trailer of this movie is banned for content, which shows that this movie is going to be an intense drama.

 

1. Kurisi Kurisi
Singer(s): Aparna, Srikrishna

 

Song starts with classi piano, then with slow beats, with dristle and rain drops sound as rhythm, the song takes off a good note, But the singer Aparna with feeble and amatuer voice didnt add it to the grandeur. However the instruments keep up their good work. Added by beautiful lyrics, this song gives a mixed feeling. Srikrishna joins the party but he doest add any value to the song though he sings good. His voice is not strong enough to elevate the song. It has been rare to listen such kind of simple songs these days. Intruments are simple, voices are natural, lyrics are simple yet beautiful, not much issues with Telugu. Though singers could have done better, well thats only issue with otherwise feel good song. This album started on a pretty good note with a nice melody.

2. Mella Mellagaa
Singer(s): Vinay

This is a beaten up tune and rhythm, however music director, lyricist makes this song different. Vinay did decent job. Choosakega is one word, not choosa kega.. Once again nice lyrics. Another melody in the album. Nandan Raj adds nice interludes and keeps the rest very simple. Any love/romantic has to end on a whistle tune. Doesnt harm the song. Another decent song so far in the album.

3. Devudanna Peru
Singer(s): Suresh Babu

There are too many singers coming up lately, but none of them are making mark and staying long. Most of the voices are not getting heard again and again. Also with the voices getting tweaked and altered by music directors, the singers voices are loosing identity. So far this album singers voices go untouched, which is a great refreshing change. Suresh Babu sings a pathos on yet another fantastic lyrics. Short duration song, but it makes mark. The songs starts like a tatvam. The  rhythm continues through out the song. Any song that questions GOD is related to when human faces issues or has tragedy. People tend to question the way he does things. This song does the same. Overall a well made song.

 

4. Palike Aa guvvaSinger(s): SriKrishna

 

So far this album is so refreshing to ears after listening to series of albums. Not that tunes are so fresh and singers have done great. Most of the songs are sounding as Telugu songs, Singers are getting their identity, instrumentation is subtle yet making mark, lyrics are decent and simple melodies. Its been so rare to listen to such kind of albums these days. Its been a while having heard guitar so beautifully accompanying Singer. The drum beats sounded like its a periodic movie. Srikrishna's voice is stuck at there. He didnt make much progress becoming more mature singer, that would have helped to take this song more emphatic winner. This song is so far best work in the album. This will haunt people who have an ear for melody. Guitar will make you grow fascination towards this song. The beats in between take you to yesteryears.

5. Naa kallu Choodu
Singer(s): Geeta Madhuri

Wrong placement of this song in the album. This should have been the last song so that it is easy to ignore. There is no issues with the song as such, but Geeta Madhuri messed up the song so much that it will irritate few and finally a song to skip. However this song is purely for Singer's fans. After such a nice melody this song takes away the feeling from the earlier song. Now coming to the song, Telugu Film Industry is very good at stamping persons on face and throw the same thing throughout their careers. Geeta Madhuri makes a hit song singing as drunkard. She gets to sing the same song again. However her start is so horrible. Just irritates one. Then her over expressiveness takes the song away from listeners. These type of songs need to be done rightly any deviation will mess up the whole song. Few parts are good but her voice still has to mature a lot. There is a difference between eyes and kallu which has to be clear enough. She has energy but her singing didnt match energy. Anyways any issues with this song is purely can be assigned to Geeta Madhuri. Music director provides an energetic and foot tapping song. Lyrics are also not multilingual that we hear for these type of songs. Song for masses and they will for sure like it.

6. O Ningey Thulli HoliSinger(s): Ramki, Sahiti

Ramki and Sahiti did a good Holi song. Rare to listen singers pronounce "Chhaya" not "chaya". Another foot tapping song that appeals. Everything is again simple. Sahiti did better than Ramki. His voice could have been assertive. Seems like another family sentiment song with everyone involved. This song should be colorful as song indicates. Words gets elongated or shrunk to fit the tune, but that the least priority issue lately. Another feel good routine song.

7. Naa NinnuSinger(s): Anjana Sowmya

 

Anjana Sowmya is a great find of all singing talent shows. She has all quailities to be one of the top female singers if given right guidence and provided she choses to work hard. Her voice is so unique and versatile that she sings effortlessly. Male singer's name is missing, thats fine as Anjana Sowmya steals the limelight. Her expressions are right, singing is right, voice is right, and everything goes right for this song. This song accompanied by piano does fantastic. Anjana's initial humming is really seductive. The song is another standing out song in the album. Piano is impressive as is the song.

Pick(s) of the albums: Palike Aa guvva, Naa Ninnu, Devudanna Peru, Kurisi Kurisi, Mella Mellaga ( in that order ).

After a long time Telugu Film industry has provided a pure Telugu, Melody based, authentic singing, simple to ears, genuine effort made by the team. This album proves how these can make difference to the movie. The movie team needs to be commended for providing such an album to the listeners. Its really a good change to see. I really hope we get such kind of albums which will clear the ears for a while. Nandan Raj is a welcome change to the industry. His earlier albums went unnoticed, but this will for sure gets him the recognition that he will be due. People are following a trend these days and this album defies that trend and format. This album doesnt belong to so called youthful music, doesnt belong to songs that have tainted voices melody written all over it and comes with that disclaimer. This album will impress music lovers. However the issue of lack of singers is still hurting the industry, hope it finds some good singers soon, Else we will not see good music becoming great.

 

 

 

Greeku Veerudu - Audio Review

Movie:          Greeku Veerudu (Telugu - 2013)

Producer:    D.Siva Prasad Reddy

Cast:            Nagarjuna, Nayanatara, Meera Chopra, Bharat Reddy
Direction:    K. Dasaradh
Music:         SS Thaman

 

South Indian Manmadhudu, Nagarjuna Starrer Greeku Veerudu is an upcoming Indian Telugu film written and directed by K Dasaradh. Dasaradh and Nagarjuna's combination Santosham was run away hit both music and movie wise. This movie had excellent songs both tunes and lyrics. Nagarjuna sports a trendy moustache has become a phenomenon with his fans. Nayanatara plays female lead and supported by Meera Chopra and Bharat Reddy. Nagarjuna's earlier movies Sai baba, Dhamarukam, Rajanna provides a wide range of genres, and he is having great time with movies lately and he is enjoying as if it is his prime time. Dasaradh on the other had is going slow by doing limited movies, had done around 5-6 movies ever since he made Santosham.

On the other hand Thaman is running jet speed high signing and completing movies. If we forget about the quality, variety, melody and class compositions, he is on high. He is the only consistent music director who provides the same exact music every movie and inspite of all quality issues he is having, he is still on the high. That indicates the changing times of Telugu film music. Lets see whether he maintains his consistency or disappoints by providing refreshing quality music. Being master of re-use and inspiration, known for putting less effort making the music, need to see how much effort he had put in this movie.

This movie offers 7 songs. Actually can say 6 1/2 songs as last song length is ~1.5 minutes. Singers are pretty much the same, standard Thaman's troupe except for couple of surprises in the form of SPB and Mallikarjun. Singers like Jaspreet Jasz, Suchitra, Daler Mehndi, Baba Sehgal missing from singers list is a refreshing change. Apart from this Sirivennela has two songs and Anant Sriram has one. I guess that is mainly because of Dasaradh's choice. Sirivennela wrote an excellent song "ne tolisaariga kalagannadi" for Dasaradh in Santosham composed by RP Patnaik remained as the best composition from RP. The rest of lyricists are routine. Let's see whether Dasaradh tried to recreate the magic or Thaman dominated this and made Dasaradh option less.

1. I Hate Love Stories [3:34]   

Artist(s): Naveen Madhav, Ranjith 

Lyricist: Krishna Chaitanya

Heard Naveen in earlier movies, The moment we hear the start of the song, we can exactly tell the music is from Thaman. Thaman doesn't deviate an inch from his template music. His techno singing voices, false high pitch, sounds from keyboards accompanied by different sounds from chorus, high volume background music, rap in interludes everything is pretty standard.  Ranjith doesnt sound like himself and Naveen hardly sings. I think after few movies, Thaman uses his technology avoids all singers and might produce movies with a single voice all sound same avoiding some cost to producer. In earlier days either tape would have weared out or LP record used to get damaged. In this digital world unfortunately nothing such happens so that we can be spared out of this torture.

2. Ne Vinnadhi Nijjamena [3:29]   

Artist(s): Ranjith, Rita 

Lyricist: Balaji 

For a moment I thought the first song is still continuing. Ranjith is all togather different from first song to this song. The variety Thaman offers is the apply the techno effects to Rita instead of Ranjith. Thaman Sir, kudos for your experimentation. This song doesn't appear refreshing, reminds many tunes and songs. The song ends abruptly which is another style by Thaman.

3. O Naadu Washington [4:49]   

Artist(s): SP. Balasubramaniam 

Lyricist: Sahithi 

Thaman is fond of his own music, the starting reminds a slight variation of his own song. SPB Sir proves how a pretty ordinary tune can be elevated by his excellent voice. I thought Thaman would add sound effects to SPB Sir's voice, he disappoints me not doing any tampering to his voice. Instead he makes him sing high pitch here and there. Since it is by SPB we are forced to like this song. Thaman should realize what a singer's original voice could make difference to the song. He leaves pretty much the song as it is just keeping it simple, which makes a lot of difference.

4. Ee Parikshalo Thannaku [3:25]   

Artist(s): Haricharan, Vandana 

Lyricist: Sirivennela Sitarama Sastri 

Thaman doesnt deviate his pattern of music. Not sure why. Seems like he tries to weave music around few things. This song is perfect example of that. Vandana is another singer added to innumerous singers that TFI is getting. Pathos always has to be on high pitch. Haricharan tries his best to sing naturally but didnt succeed much. Vandana's voice lacks clarity and had to work hard to listen Sirivennela's lyrics. On the other hand Haricharan too made the job tough. Thaman's background music is loud, chorus is feeble didnt bring good effect that is required. Overall leaves a mixed feeling about this song.

5. Yevvaru Leranni [4:38]   

Artist(s): Mallikarjuna Rao 

Lyricist: Vanamali 

Seems like Mallikarjun is a forgotten singer in TFI, not sure who remembered and brought him back. He made a Telugu song sound Telugu. However the tune is pretty ordinary. Like reading the song rhythmically and with tempo. Thaman added some music here and there. Vanamali who messed up lyrics of kadali, is much better this time. In the end seems like Thaman forgot to say cut or didnt not edit the song properly ended on a odd note. Not sure why Thaman spared Mallikarjun from his techno voices, keeps his voice untouched.

6. Ossina Bangaram [3:24]   

Artist(s): Hemachandra, MM. Manasi 

Lyricist: Ananth Sriram 

Hemachandra and Manasi are pretty ordinary in this routine song. Thaman again produced template music. Nothing refreshing, no variety, same singing style, Chorus, interludes, beats are pretty much same. Rechipo nichavante has to be single word, Nichavante is tough to understand what it is..

7. Maro Janmae [1:48]   

Artist(s): Rahul Nambiar, Rita, Bindu, Parinka 

Lyricist: Balaji 

Mukka, Mikka, Makka whatever it is , 4 singers hardly do anything other than too much twists and singing turns.

Pick(s) of the album: O naadu washington, Ee parikshalo ( benifit of doubt )

KJ Yesudas once during a stage show, said that it takes a lot of hard work to become a singer or music director and talent. Not every one can think they become singer or music directors. However the way Thaman is creating music makes everyone feel comfortable dreaming that they can too become music directors.  He defies KJ Yesudas statement. 

 

Thaman owes a lot to his grand father who gave life to many artists in the industry and now they in turn are giving offers to him by showing gratitude to his grandfather. Every social networking sites is full of praises for Thaman, its no wonder Thaman is feeling more comfortable doing the same template music. It only proves that Telugu people lost taste of  music and are getting comfortable with whatever is offered to them.

There is no comparision of Dasardh/Nagarjuna combination earlier movie Santosham, this music doesnt offer much for Dasaradh. Its upto him to make his movie hit.

Intinta Annamayya - Audio Review

Movie:          Intintaa Annamayya (Telugu - 2013)
Producer:    Yalamanchili Saibaba
Cast:            Revanth, Ananya and Sanam Shetty

Direction:    K. Raghavendra Rao

Music:         MM Keeravani

There is no Telugu person who doesn't know or havent heard Govinda Namam, that same applies to a Venkateswara devotee who doesnt know Annamayya. Such an influence Annamayya has on Telugu person. Intintaa Annamayya is a very apt title for any kind of movie. Yalamanchili Sai who produced "Sri Ramarajyam" came up with yet another movie that will touch many Telugu people's heart. Having his own Yalamanchili Revanth as lead makes this film to be more passionate for him. Introducing any son as hero typically will be done thru a commercial entertainer.

However introducing with a quite interesting concept proves how sensible producer Saibaba is. The story line as told was about a top class western singer who gets influenced and transforms himself with Annamayya's literature and music. There are innumerable such real life stories which are similar who were influenced by Annamayya and dedicated their most of the life towards bringing out Annamayya's work public. There are innumerable singers, philosophers, scholars who were influenced and attracted towards Anammayya's sankeertanas and other works. No wonder about the story line.

The challenge anyone faces while making these kind of movies is that what to be included from innumerous sankeertanas of Annamayya. What to choose to be content of the movie. Too many or less songs will influence the movie. There has to be a real balance on picking the content for the movie.  Its an uphill task to choose from 14900 odd sankeertanas that are available today that were written and composed by Annamayya.

Then comes the challenge for music director, composing any keertanas he/she faces three issues to match the following

1) There are many versions of these keertana's available today and people have heard thru different voices and enjoyed them.

2) Annamayya himself being a vaggeyakara (who can write and  compose ) and who instantaneously wrote these keertanas has specific raaga, bhaava, taala.  

3) Set the expectations of movie lovers by making these songs interesting.

It is such a tough challenge, however on the other hand since there is clue available on how to compose these songs, all music director has to do is to be in line with these compositions, provide another variation, thereby be successful to reach people with the songs but loose his/her identity.

This movie as per story line should contain a pattern which shows the transformation of the western music influenced person to Annamayya's path. So as seen in the songs playlist, we see that transformation. For a moment if story is not known, there is all possibility to assume how come there are different genre songs in this movie. Then singers choice, as per story line it would have been apt for a single singer to sing all the songs that are performed in movie by the lead actor, but we dont see that pattern. Not sure what went thru by the minds of movie team ( Producer, director and music director) to choose different male singers. Its is good surprise not to see many north Indian singers in this album list. Raghavendra Rao and MM Keeravani are good team and there shouldnt be any surprises from this duo as per their earlier works. Their combination earlier produced good music for Annamayya, but failed for Pandurangadu and Ramadasu. Lets see whether Annamayya's magic works again for us or not.

1. Introduction [1:04]   
Artist(s): MM. Keeravani

One minute short and sweet introduction of the movie which gives an idea of what is headed in this album. However nothing can be told about Annamayya in one minute. Such great is the life of Annamayya.

Padakavita pitamaha Sri Taalla paaka Annamaacharya is a phenomenon in Telugu history. His life is miraculously wondeful and fascinates any person who encounters details of his works. Lived more than 600 years ago born in Tallapaka village, he carries a great shoulders to influence Telugu literature by his works. Like any other lifes of sages/rishi's/acharya's his life is full of wonders. He is believed to be a form of Sri Venkateswara himself. Child prodigy by himself one will wonder in his life time how could he write 32000 sankeertanas on Lord venkateswara. This averages to 500 sankeeratanas per year, which means every word came out of his mouth is one or other form of sankeertana. It is fortunate one way that atleast ~14900 are available. His son and grandson made them available for us. One stored his works on talapatras, the other carved them on raagi patras(copper plates)  and stored in sankeertana bhaandaagaram in Sri Venkateswara Temple in tirumala. When this was opened, all we got in invaluable treasure that can be cherished for many centuries.

There are many wonderful stories on how he said all these sankeertanas, which are colloqual form of Telugu where Sanskrit was main language those days. At the age of 16, having such a knowledge of sahityam and music, is really wonder. When Sri Venkateswara comes into his dream, he is all set to create literary wonders during his journey and after to Tirumala. Reading his works and life is a fascinating experience of how blessed he is with Lords grace. His encouter with Raja who asks him to write about himself is another amazing story. His learning Vishistadvaita and then his Telugu Translation of Ramayana, writing 12 satakams on different deity's ( only one is available today ), his tour on south India tells us all the life of greats are similar.

TTD has been trying to bring his works to light by various activities by funding the projects. Many people like Mangalampalli Balamurali Krishna, MS Subbulakshmi, Nedunuri Krishna murthy, G Balakrishna prasad, Rallapalli Ananta Sarma Dr Sobharaj, Dwaram Lakshmi, Vedavati Prabhakar and many more contributed significantly to Annamayya's works and shared their joyful experience with us. 

Lets continue one more similar journey of listening to Anammayya.

2. Life Is A Dream [3:36]   
Lyricist: Prudhvi Chandra
Singers(s): Prudhvi Chandra, Deepu, KC

Keeravani has been lately deviating more from traditional music and catering to the needs of so called youthful music demand from the movie makers. His introduction tune of the "Ruler" song from Dammu was proof for that. He continues with this kind of music in this song too. This song is mix of Telugu and English, first half of the line is in Telugu and second half is English, Just to prove that this is techno music and is all for youth and western. Prudhvi Chandra is another kid on the block accompanied by Deepu who is a mandatory singer for Keeravani and KC. All of them bring in required energy for this song. Prudhvi Chandra wrote and sung which is later replaced by Karthik when transformation happens. This song has all eliments of youthful music, the guitar, the beats, the pace, the rhythm, but the tune is all beaten up. If expecting something fresh this song doesnt provide. But voices of all singers try to provide some good feeling.

3. Wanna Tell You Something [3:15]   
Artist(s): Prudhvi Chandra
Lyricist: Prudhvi Chandra

Starts with a simple guitar beats, Prudhvi Chandra continues the same pattern of lyrics, ( half telugu and English) and Keeravani kind of extends the song to make it more simpler. Guitar beats attract to this song. Prudhvi Chandra's off beat voice adds some flavor to the song. Could be a situational song, dont know what this song is for.



4. Narayanaya [4:25]   
Artist(s): Karthik, Ramya Behra
Lyricist: Annamayya Keerthanas

Not sure who gave introduction to this song. He sounded extra cautious, weak voiced, probably murmuring. Amruta Bhandalu could have pronounced with more stress. Then comes Karthik with Narayana mantram. With this song there ends the western music, the Telugu English fusion lyrics and comes to Annamayya. Probably Karthik is transformed voice of the lead actor. Karthik is known as the better singer in the current, lot proves why he is there. He sings with vigour and energy. His rendering is theoretically flawless. But he could have done better in pronounciation like saying Sobhana moortaye, Dhatreesha, Bhimmani and other words. Ramya Behra supported Karthik very well, though didnt get much footage and identity in this song. Keeravani composes this song with traditional temple bells in the start, slowly fuses the songs to make it more appealing. He made sure the background music is not very loud, flute accompanies in right place, the chorus is good. Narayana mantram brings in ecstasy to whoever says it with vigor and devotion. This song if picturized properly KRR for sure will, should leave a very good feeling once the song is complete. Hope this song lives to that expectation.

5. Venkatadri Samam [6:14]
Artist(s): SP. Balasubramaniam, Karthik, Sunitha
Lyricist: Annamayya Keerthanas

Longest song in this movie. Its divine to hear SPB sir's voice in traditional telugu songs. However Bhaavamulona baahyamunanduno, didnt sound right. Not sure why Keeravani added that additional tip in the end. May be because of extra gamakam at nanduno, or I got used to this song in traditional singing by MS and others. Also SPB first time sounded different at hari namamu after nanana,,, ( between karthik and Sunita ) is it a recording glitch? There after its a treat from him. Seems like Lead actor is learning music and gets patted in between. Keeravani knows that these songs should sound very pleasant and doesnt deviate from this formula. He also doesnt deviate from his trademark music. In between karthik sounded he sung kannada. Need to hear few more times to get what he sang actually. The beauty of Annamayya's lyrical bliss is all over. Everything with greatness of musical, lyrical values and ending with all dedicated to Lord gives eternal feeling of bliss. Blessed is Annamayya who for sure having for every moment of his life having this feeling and he himself having blessings of Lord Venkateswara.

5. Kamalasana [4:21]   
Artist(s): Bombay Jayashri
Lyricist: Annamayya Keerthanas

Bombay Jayashri proves what a classical background can make difference to this kind of song. How effortlessly she sings is a treat for music lovers. Keeravani excellently composes song to make it more presentable. This classical composition from Annamayya has beauty all over. The modern age lyricist who are behind prasa, should take a clue here and there from this song. The way he weaves this keertana is just a sample of what Annamayya is about. Thats why people are madly in love with his works. And on top they all are dedicated to Lord Venkateswara and Padmavathi. Its a huge treasure to dig out and find unlimited happiness. Any inspiration to get associated with Annamayya's works will leave one the bliss that is freely available and doesnt come with cost. These kind of movies let people revisit the lost happiness we tend to forget in daily struggles. And third time in a row in this movie songs, Keeravani slowly increases the pace and ends in a higher pitch to leave listeners at that elevated level.

6. Sri Venkatadri Meeda [5:26]   
Artist(s): SP. Balasubramaniam
Lyricist: Annamayya Keerthanas

Starts with Keeravani humming few words, then SPB with his usual himself, tells us we have yet another treat in line. The beauty of the words leaves one at a great feeling

manchi venna buvvalipudu malasi aaragincha nerche
anchitamuga sree venkatadri meedanu
enchi appalappalanuchu enasi kaagilincha nerche
dincharani puramu meeda divyakantha nu -- nandagopa..

Keeravani I guess just went with the flow of the words without having much to do which helped this song a lot. Then the pace increases and Srinivasa Govinda is attached to the song. The transformation is very nice and SPB Sir's voice leaves us spell bound. We might have heard this many times but every time we hear Srinivasa Govinda it leaves the same feeling. Thats the power.

7. Navamoorthulainatti [2:01]  

Artist(s): Kalpana

Lyricist: Annamayya Keerthanas

Annamayya is known to have visited many deities during his South India tour and wrote on those deities whenever he visited. Kadiri Narasimha swamy is one of them. Unfortunately not every such work is available to us. This song is captured from one such keertana of Annamayya. Sung in carnatic classical way again Keeravani ends this song on higher note.

8. Pallukuthenela [3:45]   
Artist(s): MM. Keeravani, Shivani
Lyricist: Annamayya Keerthanas

Keeravani for sure brings in the feeling but he doesnt bring the voice required for any song he sings. "cha" pavalinchenu is not what it should be pronounced. He adds some additional stress and style which is key. Shivani is good accompanying keeravani. Annammayya's greatness is his words. Keeravani doesnt bring clarity to the words. He is subtle in pronouncing the words so there by loosing the effect. This song female voice is composed to be pathos. Movie will tell why.

9. Chandamama Raavo [3:46]
Artist(s): Karthik
Lyricist: Annamayya Keerthanas

As rightly said by Tanikella Bharani during audio release, not many know that "Chandamama ravo" is written by Annamayya. karthik is back after a break. This song is not to the same class and quality of Narayanaya. Chorus and baby who sang did their job. Keeravani experimented in this composition to make it more situational. He fused various elements to make it more movie oriented. Somehow I feel this transition didnt work effectively between chandamama ravo, palumaru utla panduganu. Again one should listen to this song for the lyrical beauty.

10. Yekulajudemi [4:46]   
Artist(s): MM. Keeravani, Shivani
Lyricist: Annamayya Keerthanas

I again would have been happy if Keeravani would have avoided singing in this album. parulu taane ani bhavinchu vaadu, he is not clear when he pronounced bhavinchu, again nirmaludai which was intially he not clear. Clarity in voice is very important. But fascination towards Annamayya would have made him sung. But when there are umpteen options available for this song, something has to be different. In the end when Keeravani says Hareee, there is slight issue with the gamaka. Anyways with all these side effects, still we can enjoy this song. Shivani dominates this song and she does very well.

11. Neekesaranu [3:30]
Artist(s): Sunitha
Lyricist: Annamayya Keerthanas

At any time I would have preferred Chitra singing this kind of songs. We have seen how she was missed in SriRamarajyam where singers messed up such a long lasting songs. Sunitha is trusted singer by Keeravani but the main issue for singing this songs is that, every emotion has to be explicitly balanced. Even if it is slightly over done or not met, the song goes here and there. Sunitha tends to get carried away by emotions adding that additional feelings which doesnt help neither herself or the song.

12. Ayameva [5:09]  
Artist(s): Karthik, Bhargavi Pillai, Shivani, Prudhvi Chandra
Lyricist: Annamayya Keerthanas

Annamayya has written most of his works in Telugu. However he has done some in Sanskrit. His major sankeertanas are divided into Sringara and Adyatyam. The Sringara rasa is mostly to praise God and Goddess, and Adyatyam indicating the Vishistadwaitam. He exclusively follows Srivaishnava sidhanta. This song is fusion mix with including both forms of music. Everyone did their job well. Since fusion music this song might not have universal appeal. But movie demands this song, so is done.

13. Telisithe Moksham [4:56]
Artist(s): Karthik, Ramya Behra
Lyricist: Annamayya Keerthanas

Karthik and Ramya did great job in this song. These two gave their best in this album. Keeravani again choose to compose this in high volume with some action and drama. Medadi has been sound as Meda adi.. I guess some lyrics have been changed a little here and there just to make it easy. Not sure which one is correct.

అనయము సుఖమేడ  - దవల దు:ఖమేడది
తనువుపై నాసలేని - తత్వమతికి
పొనిగితే బాపమేది -పుణ్యమేది కర్మమందు
వొనర ఫలమొల్లవి - యోగికిని

The difference in singing tells how words are sounded in any language, karthik made it sing differently to what is supposed to be శ్రీవేంకటేశ్వరుడు - చిత్తములో నున్నవాడు.

Anyways this song is another good attempt by the singers and Keeravani leaves listeners on high note yet again.

14. Brahma Kadigina Paadamu [1:53]  

Artist(s): Krishna Chaitanya

Lyricist: Annamayya Keerthanas

Short and sweet song. Brahma kadigina padame mari. I always feel that Lord Venkateswara got the best out of Annamayya. Lord and devotee have mutually exclusive relationship between themselves. One cannot exist without others. Lord needs to have such devotees, and Devotees should have such God. and we are blessed to have existed to feel their relation.

Pick(s) of the album: How can one pick and choose if there are gems infront of us. Annamayya's works are something to treasure.

Yalamanchili Sai Baba has yet again done a commendable job. What he has done, how he has done is irrelevant. All that matters is how many people he touched, how many get enthusiastic about Annamayya, how many people get attracted towards spending some of the time towards Annamayya, How many who re-visited their association with Annamayya is that matters. Keeravani for sure walked on a tough path, the context has been different though he worked on same person's life earlier but we cannot compare the two works to say which one is great. Knowing the limitations he had in 1997 versus now tells all about this album.

This album once again proves that how sad state our Telugu film music industry is for lack of singers. All these singing talent shows are not able to bring out the real talented singers who can continue the legacy of SPB, KJY, P Susheela, SJanaki and Chitra. I am surprised to see ommission of few singers both for good and bad. I really hope some one in music industry wakes up and fills the gap. I am sure we dont have born talents, divine talents in the industry anymore. With the kind of junk music and lyrics we are hearing lately, this album is refreshing for music lovers ears. Atleast if not we can continue to listen to this movie songs, we can find them in existing Annamayya's albums from persons who dedicated their lifes towards him.

Everyone who listens to this album for sure realizes what are we missing lately in the Telugu music world. Kudos to everyone who made us to realize.