Monday, October 8, 2018

Aravinda Sameta Audio Review

Movie:            Aravinda Sametha Veera Raghava ( అరవింద సమేత వీర రాఘవ )
Producer(s):  S Radhakrishna
Cast:              Tarak, Pooja Hegde, Jagapathi babu, Sunil
Direction:      Trivikram Srinivas
Music:            SS Thaman


1. YEDA POYINADO 
Singers - Nikhita Srivalli, Kailash Kher, Penchal Das
Lyrics - Sirivennela Seetharama Sastry, Penchal Das 


Sirivennela garu and Penchal Das, has been part of lyrics for this song. We have seen this type of lyrics with combination of writers earlier too. Here there is a little difference I guess.If the unpolished Diamond is Penchal Das, the polishing to make the diamond glow is done by Sirivennela garu. Overall, this song proves what Telugu literature is capable of. Sirivennela garu and Penchal Das explained the song and how the song starts with "Ram", ( the beejaksharam and the words coming there after rhyming to "Ram").  Penchal Das shows the power of Telugu in words as well as power of rural folk in the voice as well. His voice has that rustic beauty of the village which is sincere. There are many notable phrases in the song which will make one think.

Coming to the song/singing perspective, Thaman starts this song with a violent silence a total surprise from Thaman. However there are shades of other songs there after probably an inspiration. The voice of Nikhita is not heard quite well, clear and loud, her voice is shadowed by over powered instruments. These kind of songs, voice should be the clear winner. He did take that care when penchal das was singing, but Nikhita's voice would have been more powerful, Sivamani's percussions are class as always. I wish Thaman could have used the percussion more in interludes. A little bit consistency would have been better, but cant ask more from Thaman. He almost nailed it to bring the mood of the song, with Penchal Das adding not only value, but he brought the soul to the song. A perfect song for a possible perfect situation in the movie, probably well designed by Trivikram. Thaman must be commendable for taking care of both the song and its lyrics.  

2. ANAGANAGANAGA
Singer - Armaan Malik
Lyrics – Sirivennela Seetharama Sastry


Thaman has a habbit of starting a song prelude on different note, and the song on a different note. He has done this quite many times. Here too he does the same. Armaan Malik as any other singers, have tough time singing a Telugu song. Thaman who is more of sound based, wants variety voice for each song, probably opted to him. Otherwise there is no reason. The interesting part of the song is Sirivennela gari lyrics, all Thaman has to do is go with the flow of lyrics. Not sure why the female voice was not given credit in the song. Even though its a pakka commercial duet, a routine, the choice of words by Sirivennela garu makes him miles a part. The song, tuning as such there are no issues, except for the singer who couldnt say few words properly. The violin stands out in this song, Thaman has really used it effectively. The song even though routine, the lyrics adds a lot to the beauty of the song.


3. PENIVITI
Singer - Kaala Bhairava
Lyrics – Ramajogayya Sastry 


Now comes the much appreciated, talked about song in social media. Kaalabhairava who got name from the Bahubali-2 song, got to sing this song. Thaman again delivers one of the most emotional song heard in recent times. He tunes it as best as he can. Kaalabhairava's voice too is very apt to this song even though he was feeble at few place. 

This comes as 2nd situational song, and the song says it all. The tune, the voice and words all go well together to bring a perfect emotional song that should connect everyone who listens it. Thaman doesn't deviate from his style of song making where its seen in the interludes. He takes it to a pitch after the charanam ends and goes from there to design the interludes. He does it exactly the same, but without his usual additions, so it is heard very natural. Thaman has a habbit of complicating the song unnecessarily, I would have written many times in past reviews suggesting sometimes he needs to keep it simple. This is perfect example, how simple can take song to next level. He adds a nice western flavor in the second interlude. 

Ramajogayya sastry needs a special mention, to use few words in the song that are becoming rare to hear these days. He was able to bring the emotion thru words. He does a commendable job.

On the other side, a small observation. This song seems to be an emotion of lady, who has so much pain in the heart missing her husband. A koyila(cuckoo bird ) is known for joy, and ecstasy, A song in pain might not sound as pleasant as cuckoo bird.  Cuckoo bird singing has "Maadhuryam", where as we dont search madhuryam in pain. 

Not sure as we hear a cuckoo bird who usually sings during the aggressive growth season matches the situation here other than comparing the singing perspective. I might not be in sync with what lyricist thought writing the song, neither the situation, so just listening to the song, cannot probably think right in the context. 


4. REDDY IKKADA SOODU 
Singers - Daler Mehndi, Anjana Soumya 
Lyrics - Ramajogayya Sastry


Trivikram has a habbit of introducing one of golden era songs thru his movies. This time he chooses the some from "Sri krishnarjuna Yuddam" in the start of the song. He uses the song as is in the voice of S Varalakshmi garu. ( music by Pendyala Garu ). Switching gears from a  classic song to this age song, we see how we transformed in music. Probably this will tell where we have reached. How we came sound based than melody based. Now coming to the song, did everyone relax after working hard on other songs? Everone came back to their routine. Be it Thaman or Ramajoggayya. Anjana Soumya is notable in this song. He unique voice makes difference in the song. Daler does his usual stuff. 

Pick(s) of the album:  Peniviti, Yeda Poyinado, Anaganaganaga

Trivikram with Agnaathavaasi, faced a life time failure and how has pressure to deliver and comeback to show what he is known for. Then Tarak who is doing good with different selection of scripts, needs to continue that path. Thaman on the other hand is showing great variety these days with few albums showing where he is heading to. This album he got rid of auto-tuner, got in Penchal Das, Kalabhairava, he should have avoided Armaan Malik. This album consists of two situational songs, and two routine commercial songs. Trivikram's movie having 4 songs shows this is a story intense movie. The two situational songs are intense too. This movie should give a lot of scope to Tarak to emote. Hope he succeeds and give Trivikram a much needed comeback. Thaman scoring to what is required is in right track, hope he continues in for his upcoming movies as well.